In the broadcast
Stage-width sweeps and carpet-length tracking cut live into the programme, movement your locked-off cameras can't give the remote audience.
How our live broadcasts work →
Services — Rail Cam & Dolly
Twelve metres of glide.
A remote-operated camera dolly on 12 metres of ground-laid track, silent, repeatable tracking moves along the stage, the red carpet, or the sideline, without a camera operator in anyone's shot.
12 m track runs
Remote-operated dolly
Silent in the room
Repeatable moves
Live feed to switcher
Fast deploy
Why rails
Movement without the crew in frame.
Handheld drifts. Steadicam needs a walking operator in the space. A rail-mounted dolly gives you perfectly smooth lateral movement pass after pass, with a low profile that stays out of sightlines, out of stage design, and out of your other cameras' shots. Operated from the ground station, it runs as a live cut camera or a repeatable move for the edit.
In the edit
The same move, every take. Rails make match-cut passes, product sweeps, and repeatable hero shots fast to shoot and clean to cut.
Production services →
Technical specifications
The rig, on paper.
Track length
12 m end to end
Laid in segments to fit the space, a full run along a stage front, or a shorter pass where the room is tight.
Movement
Smooth, programmable passes
Consistent speed ramps and marks, repeatable every pass, from a slow creep to a fast sweep.
Profile
Low and out of the way
Ground-level track and a compact dolly that stays under sightlines and out of stage design and audience view.
Camera control
Full remote head
Pan, tilt, focus, and zoom operated from the ground station, shading matched to the rest of the camera chain.
Live integration
Straight into the switcher
Low-latency feed into our vision switcher, so the rail cuts live alongside every other camera.
Deployment
Level ground or risers
Sets up on flat floor or elevated platforms, built for tight bump-in windows on show days.
Built for show nights.
Anywhere the camera needs to move and the room needs it silent and invisible.
Concerts & award nights
Stage-front sweeps across the performance without an operator walking through the shot.
Pairs with: multi-camera live streamRed carpets & arrivals
Tracking coverage along the carpet, every arrival covered by one smooth, silent camera.
Pairs with: event coverage & aftermoviesSport & presentations
Sideline and podium tracking for match coverage, ceremonies, and trophy moments.
Pairs with: conference & panel broadcastFilm & commercials
Repeatable dolly passes for scripted work, the same mark and the same speed, take after take.
Pairs with: brand films & product videoPut your coverage in motion.
Send the venue, the date, and where the camera needs to travel, we'll confirm the track plan with your quote.
Check availability